The Next Layer is a collaborative environment combining open source, experimental and artistic research methodologies.

Notes on the theory-practice problem of practice-led PhDs

This is a relatively short mental note to myself, an attempt to address a basic methodological issue which I have been thinking about while reading economic and political theory over the past few days. I don't mean to address all the issues relating to practice-led PhDs. This is also not specifically about my own work, although I am affected by it. The problem which poses myself in renewed urgency is as follows.

Ökonomische Verarmung und Verarmung der Subjektivität im Neoliberalismus

Dieser Text ist die deutsche Übersetzung des Vortragstextes Maurizio Lazzaratos bei der Creative Cities Konferenz am 31.3.2009 in Wien. Die Übersetzung stammt von Stefan Nowotny. In diesem Text argumentiert Maurizio Lazzarato, inwiefern die derzeitige Politik Frankreichs und der EU im Bereich der Creative Industries anti-produktiv ist.

new-i-fications

hello on a rainy sat morning in vienna,

as you may have noticed i did an upgrade yesterday, which was 3 hours of cold sweat but succeeded in the end. pictures now also can be edited again with all the tags, etc.

some further small improvements have been made:
pictures can now be posted also in groups, which means that if the right group is chosen and public uncheckled the image is only visible for logged in group members.

Bruno Latour's greatest hits vol III

maybe it is neighbourly to share the fruits of some of the grunt labour we do as students...the typing up of notes from books .. in the hope that we can weave some of these notes from big brains and minor poets through our own writings ..or use them to generate new trains of thoughts and aesthetic experiments

in that spirit i hereby post the few quotes i got from latour today ..honestly i find his theory hard, but sometimes i think its ok to skate around theory, and interpret it in your own way ... he has a nice turn of phrase anyway...

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My chapter outline (attached)

i have never done a detailed chapter breakdown

so all i have is this big-picture guide (which changes every year or so), and then the detailed chapter contents i do (and keep changing), as write up each chapter

i have posted a page of typical feedback from my principal supervisor -- sometimes he will email me 3 or 4 pages of typed notes ..othertimes ..if i am in sydney (where my uni is) we meet and he gives me hand written notes as marginalia on a print out of my chapter ..these seem legible when we talk thru them..but once i return to adelaide i realise i can't read his handwriting!

Disorderly Methodologies

Responding to something that Doll wrote

Lindsay I also feel *my* work doesn't make an easy fit into TNL compared to what you and Armin and some others post, because your writings are well-argued and/or intrigueingly speculative whereas a lot of what i am putting up is more rambly and thought processes scrawled as they come to me, as i am afraid that if i dont write everything, and repeat my ideas in different ways within the 1 text a number of times, i will lose what few idea kernels that i have in the thesis fog that surrounds me

welcoming ms.static to frolic on the uncommons

hello all

we once were 3, and now at armin's good suggestion, we are 4

welcome ms.static, sound artist and artist thinker, whom i first met (i think) in the desert in central australia, at dancer/choreographer Tess de Quincy's magical 2-3 week workshop Triple Alice (a great research model in fact and perhaps something of interest given armin's desire to do moe reseaerchy workshop events)

"Die Zeit" und die "intellektuelle Finsternis"

Die sogenannte Heidelberger Erklärung und die Kampagne namhafter deutschsprachiger Medien gegen Open Access und Google Books verrät nicht nur ihre Arroganz und Borniertheit gegenüber neuen Formen der Produktion und Dissemination von Kultur und Wissen, sondern offenbart auch anti-liberale, autoritäre Züge - die bürgerlichen Medien haben ihre liberalen Wurzeln wohl vergessen oder verdrängt. Die "intellektuelle Finsternis", die von FAZ und Die Zeit auf Grund der "unheimlichen Kräfte" des Internet befürchtet wird, ist bereits da und von ihnen selbst mitverschuldet. Was jedoch wirklich gebraucht wird, anstatt drakonischer Urteile und Netzsperren, sind neue Wege der Vergütung kultureller Produktion, die an den etablierten, im Niedergang befindlichen Instanzen vorbei gehen.

A Gathering of Artistic Research: From New Science to Nameless Science

Art and Research
Volume 2. No. 2. Spring 2009

Editorial:

This issue of Art & Research represents a ‘gathering’ of issues and experiences in artistic research as manifest in papers and artworks presented on the ‘occasion’ of significant international conferences and symposia dedicated to artistic research held between May and December 2008:

Copyright vs Zombies' Rights

"But you do understand that the copyright law's intent is to encourage the creation of new works. With life plus 50 years, there are untold numbers of authors dead only 10 or 20 years who might be willing to rise and take a crack at just one more novel."

A recent comment by PPH on slashdot that i liked.
Source: http://news.slashdot.org/comments.pl?sid=1212401&cid=27725525

Copyright vs Zombies' Rights
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