art

We live in an extraordinary time when the democratic cornucopia of media is very close to becoming reality and where there are hardly any technical barriers, and if there are the free software community will be capable of solving them. Yet the power elites have already found ways of either subverting that and subverting the creative impulse and the desire of the people, or they are simply moving the goalposts by reminding us that they have naked force on their side.

Only 10 years later, in 1980, the post-hippie rock industry had become one of the repressive aspects of capitalism's media machine. The democratic 'spectacle' had been enhanced by modern subconscious manipulation techniques derived from advertisement, the rise of 'telegenic' politicians such as Reagan to power and new techniques of opinion polling. In the early 1980ies centrist German political parties had reached a compromise over the liberalisation of democratic media. The deal foresaw the running of privately owned radio and TV in post-war West Germany for the first time.

The prohibitions and regulations kicking in at WWI which should in a way never be lifted afterwards, only strengthened, would stop artists from making their own signals and therefore take away a great deal of autonomy from what 'radio artists' could do. The importance of making one's own signal is underpinned by the work of the Japanese artist Tetsuo Kogawa who, in the 1980ies, was the founder of a MiniFM movement of people building their own transceivers from cheap electronic parts.