art

Mixed Media: Holography within Art

Submitted by Armin Medosch on Wed, 07/23/2008 - 16:01
in
Richardson M.  1987.  Mixed Media: Holography within Art. Leonardo. 20:251--255.

Kant's Theory of Aesthetics

Submitted by Armin Medosch on Wed, 07/23/2008 - 16:01
in
Lee HN.  1931.  Kant's Theory of Aesthetics. The Philosophical Review. 40:537--548.

A Proposal for a Multi-Relational Aesthetics

Submitted by Armin Medosch on Wed, 07/23/2008 - 16:01
in
Tischler H.  1972.  A Proposal for a Multi-Relational Aesthetics. International Review of the Aesthetics and Sociology of Music. 3:141--160.

Aeriology

Submitted by admin on Mon, 07/21/2008 - 16:30
in
Finnegan A.  1995.  Aeriology.

Lindsay's Transfer Report and Other Notes

Submitted by Lindsay on Fri, 07/18/2008 - 19:19

I have uploaded my newly submitted transfer report as a file instead of pasting it here. I'm still learning how to use modules like these so bear with me!

The Poetics of the Open Work

Submitted by Armin Medosch on Thu, 07/10/2008 - 14:41
in
Eco U.  2006.  The Poetics of the Open Work. Participation. :20-41.

ONE LOVE: How FLOSS Can Make True All the Promises of the Avantgarde (yet would kill 'art' by doing so)

Submitted by Armin Medosch on Fri, 06/27/2008 - 15:41
in

In his essay All problems of Notation Will be Solved by the Masses, Simon Yuill claims that the emergent practice of livecoding 'most directly embodies the key principles of FLOSS production into the creation and experience of the work itself.' Unfortunately this claim is supportet by an argumentation which is elitist, draws on the criterium of virtuosity and thereby stands in stark contrast to the culture of particpation that FLOSS has engendered. While his central argument is not supported, the piece offers enough food for thought to be considered interesting reading.

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