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This article is a theoretical inquiry about the death of the Brazilian citizen Jean Charles de Menezes, shot in London at Stockwell tube station on 22 July 2005 by unknown specialist firearms’ officers. The previous day some stations of the Tube were struck by failed bombing attacks. The police were chasing four suspects. Some hours after the murder, de Menezes was discovered to be innocent and not involved in the terrorist act.

Section 8 of this article include a short addendum "False Positives".

This is a howto for new users, covering basic aspects such as howto start your own reserach journal/blog, howto work with images, and other such things.

The point of the technopolitics project is not so much to carry out an original historical analysis of industrial capitalism, but instead, to test and modify the existing theories and then use them for engaged cultural critique. That requires a lot of reading and evaluating of ideas. To get through the existing literature without getting lost along the way, we’ll periodically have to reformulate what we're talking about. Each reformulation will add something, subtract something, forget something; but the essence is to keep on working cooperatively. To that end I want to propose ten postulates. They revisit what has already been written in the programmatic text on technopolitics, but with a different emphasis, mainly in terms of geography, culture and the cumulative nature of historical sequences. They're not set in stone, just some departure points, and it may be that a magical eleventh postulate is needed. Here they are:

Whether it originates from statistical tabulation or remote sensors, whether it flows in real time or out of recombinant databases, whether it serves the needs of private individuals, globe-spanning corporations or government agencies, information visualization is the operative technology of the networked age, a language of vision for the control society. Infoviz proliferates on the screens of factory workstations, financial trading floors, military commands and surveillance watchspots, everywhere that decisive movements are subject to managerial scrutiny.

Dieser Text ist die deutsche Übersetzung des Vortragstextes Maurizio Lazzaratos bei der Creative Cities Konferenz am 31.3.2009 in Wien. Die Übersetzung stammt von Stefan Nowotny. In diesem Text argumentiert Maurizio Lazzarato, inwiefern die derzeitige Politik Frankreichs und der EU im Bereich der Creative Industries anti-produktiv ist.