The Next Layer - Article

Die Zukunft im Rückspiegel - von der Geschichtlichkeit der Kunst mit (neuen) Medien

Armin Medosch — Tue, 25 Feb 2014 14:39:19 +0000

Braucht Medienkunst eine Geschichte? Ausgehend von der Konferenz Media Art Histories, Riga 2013, und einer Reihe von Interviews für die Sendung "Braucht Medienkunst eine Geschichte?", ORF Ö1, Radiokolleg, 27.-30.Januar 2014, wirft dieser Artikel einen inter-subjektiven und polyphonen Blick auf die Geschichtlichkeit von Kunst und Medien.

Technopolitics in a Nutshell: Commented Reading List on Key Categories

Armin Medosch — Tue, 25 Feb 2014 09:58:38 +0000

This article presents in overview form some of the key categories of Technopolitics together with essential reading. Technopolitics is a project that has began as a collaboration between Brian Holmes and me on these pages in 2010. Since 2011 a Technopolitics working group exists in Vienna. There is a lot of additional material which you can find spread out over Thenextlayer, so I thought for newcomers its time to collect a few basic references.

From Total Recall to Digital Dementia - Ars Electronica 2013

Armin Medosch — Fri, 06 Sep 2013 16:08:34 +0000

Year by year Ars Electronica gets larger, greater and more successful. One visible sign of this success are the blinking lights of the ACE at night, like an upgraded spaceship out of 'Close Encounter of the Third Kind'.

Greening the Network Commons

Armin Medosch — Mon, 10 Jun 2013 15:53:32 +0000

In 2001, Shu Lea Cheang created Steam the green, Stream the field (Cheang, 2001-02), a work which anticipated a major shift in the discourse and practice of post-media art by 10 years. Shu Lea Cheang insists on calling herself a 'self-styled' artist, emphasising her autonomy to define her activities as art. Her projects highlight the potential of the coming together of social self-organisation with a social and trans-media art practice that combines landscapes and datascapes, the natural and the digital commons.

Die quantitative Revolution des Finanzwesens und dessen Crashs

Armin Medosch — Wed, 28 Nov 2012 17:14:45 +0000

Dieser Artikel präsentiert in geraffter Form die sogenannte quantitative Revolution des Finanzwesens und dessen Crashs, aber auch dessen Widersprüche und Defizite als System. Anstatt Informationsgesellschaft sollten wir eigentlich Zeitalter des informationstechnisch gestützen Finanzkapitalismus sagen. Die paradigmatischen Leittechnologien - im technopolitischen Sinn - sind die Finanzmärkte und ihre Tools - Formeln, Bildschirme, Netzwerke, Computer. Diese "Revolution" ist begründet auf Finanzmathematik und die Computerisierung und Vernetzung der Börsen; ideologisch vollzog sie sich gleichzeitig mit dem Aufstieg des Neoliberalismus.

The Cost of Knowledge campaign: the commodification & liberation of academic research

doll_yoko — Fri, 12 Oct 2012 07:45:27 +0000

We humans are thinking, speaking creatures, with a theoretically limitless capacity to analyse the world around us, and, if we are lucky, to also make sense of our own internal worlds. Under informational capitalism an elite class of 'thought robbers' exploit our mental and affective capacities. We, and especially the untenured 'we', the indy intellectual 'we', or the cultural activist 'we', toil at our texts only to perhaps then witness them being padlocked inside hierarchies of knowledge which we cannot afford to access. The 'University Inc.' or 'edu-factory' and its co-dependent sibling, academic publishing, siphon the worst qualities of managerialism and profiteering to support systemised structures of knowledge enclosures. In response, the cognitariat have started to rebel. In 2012 a mathematician blogged the withdrawal of his labour from the Elsevier academic behemoth. His stance triggered worldwide solidarity. While the unfolding narrative of grassroots mobilisation resonates with the official, overly earnest Open Access movement, it seems to hold more anarchic possibilities for the cooperative creation of unfettered systems of production and exchange of knowledge.

Vergessene Zukunft: Radikale Netzkulturen in Europa

Armin Medosch — Wed, 30 May 2012 11:14:22 +0000

Apprich C, Stalder F. 2012. Vergessene Zukunft: Radikale Netzkulturen in Europa.

Art as Visual Research (Lecture notes)

Armin Medosch — Fri, 08 Apr 2011 18:10:45 +0000

This text is written in preparation for two upcoming talks and highlights a few aspects of my PhD thesis-in-progress "Automation, Cybernation and the Art of New Tendencies (1961-1973)". New Tendencies were one of the first postwar movements in art to focus on visual research as a way of redefining the role of art in society.

Sustainability of Labour in Organized Networks

magda tyzlik-carver — Mon, 14 Feb 2011 03:31:52 +0000

Paper delivered as part of Networks and Sustainability stream at the 6th European Meeting of the Society for Literature, Science and the Arts, 15 – 19 June 2010, Riga, Latvia. Soon to appear in a publication edited by RIXC The Centre for New Media Culture.

Do Containers Dream of Electric People?

Brian Holmes — Fri, 21 Jan 2011 17:20:51 +0000

This article is a first attempt to specify some technical and conceptual aspects of the productive process under Informationalism, and to cut through some of the ideology surrounding it. The text suggests the role of the imaginary both in enabling and potentially disabling this social form (i.e. the value-form as expressed in contemporary society); but it doesn't deal with the integrative processes. Some research on migrant labor struggles in the US intermodal and warehouse sectors is underway, so hopefully we will publish something on it soon. All comments welcome, changes can still be made. Thanks to Armin for the just-in-time critique on version 1.0.