Research Journals

The Stalder/Holmes debate on technopolitics

This continues the series of "Three nettime posts on the Egyptian Uprising." Felix launched this debate by suggesting that the fall of Mubarak was the end of the process of eliminating outmoded central-planning and dictatorial state-forms that started in 1989. I proposed it was beginning of the breakdown of a 30-year attempt to stabilize the new conditions of globalization. The discussion then shifted onto technopolitical ground in the posts below, as I tried to describe the paradigm of neoliberal informationalism and Felix sorted out what he would and would not accept in that description. This pushed me to finally accept (in a slightly modified form) the idea that the current crisis is a regulation crisis of informationalism. Great debate!

Sustainability of Labour in Organized Networks

Paper delivered as part of Networks and Sustainability stream at the 6th European Meeting of the Society for Literature, Science and the Arts, 15 – 19 June 2010, Riga, Latvia. Soon to appear in a publication edited by RIXC The Centre for New Media Culture.

Three nettime posts on the Egyptian uprising

1. A comment on a Hernando de Soto article in the Wall Street Journal:

Thanks for this, Patrice:
http://online.wsj.com/article/SB1000142405274870435870457611868391303288...

Beyond Information

Information in the terms of information theory is the likelihood of the selection of messages in relation to all possible messages. Thus, if a selection is made from a number of possibilities which are all equally likely or unlikely, the information is high. The mathematical theory of information is linked to the concept of entropy and the second law of thermodynamics. This says that the available degree of ordering of matter - and thereby the energy contained in it - is decreasing.

Do Containers Dream of Electric People?

This article is a first attempt to specify some technical and conceptual aspects of the productive process under Informationalism, and to cut through some of the ideology surrounding it. The text suggests the role of the imaginary both in enabling and potentially disabling this social form (i.e. the value-form as expressed in contemporary society); but it doesn't deal with the integrative processes. Some research on migrant labor struggles in the US intermodal and warehouse sectors is underway, so hopefully we will publish something on it soon. All comments welcome, changes can still be made. Thanks to Armin for the just-in-time critique on version 1.0.

Book Review: The Origins of International Economic Disorder

The Origins of International Economic Disorder
A Study of United States Monetary Policy from World War II to the Present

by Fred L. Block
University of California Press, 1977 -- 277 pages

The book begins with an overview of the British gold standard and its gradual breakdown during the interwar period. This sets the stage for the main subject: the history of the monetary order underlying the multilateral free-trade system promoted and managed by the United States.

The Return of King Mob

The student demonstrations against the rise of tuition fees, the fourth of which took place yesterday, 9 December 2010 signals the return of King Mob to the streets of London.

Reading the Digital City: New political technologies in the Network Society (revised version)

This article examines the 'digital city' debate of the mid 1990s as a point of departure for a media-historical questioning of how technology and the discourse about technology were used as an experimental playground for new forms of knowledge that are fundamental for the understanding of today’s network society. This text has been presented as a conference paper at the 'networks and sustainability' track of the 'textiles' conference in Riga in June 2010. The paper will also appear in a special edition of the Arts and Communications Journal edited by RIXC at the end of 2010.

Some remarks on digital art, autonomy, and the labour of others (Eleonore, part III)

This final piece in the Eleonore series sums up some more theoretic and political thoughts about the relationships between digital art, autonomy and the division of labour. It comes to the conclusion that the least digital artists can do is to use free software, strive for egalitarian types of working relationships and to name all their collaborators as co-creators of work, regardless of the usual social valuations of types of work and the institutional pressure they come under if their work joins the art circuit.

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