Armin Medosch

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Medosch A.  1995.  Flash B. Phantastische Bibliothek.
Medosch A.  2004.  Not Just Another Wireless Utopia: Developing the Social Protocols of Free Networking. The Future of Computer Arts - and the history of the International Festival of Computer Arts, Maribor 1995 - 2004. :43-54. Abstract
Medosch A.  2006.  Meshing in the Future. Media mutandis: a NODE.London reader. :234-245.
Medosch A.  2009.  Situating Nodes and Narratives: Hidden Histories/Street Radio. Node.London Reader II. 2:95-106.
Medosch A, Šmite R, Šmits R.  2011.  Networks and Sustainability. Acoustic Space. 10
Medosch A.  2008.  Paid in Full: Copyright, piracy and the real currency of cultural production.

in Deptford.TV Diaries II - Pirate Strategies

Medosch A.  2012.  Kreative Milieus. Vergessene Zukunft: Radikale Netzkulturen in Europa. :19-26.
Medosch A.  2008.  Waves - The Art of the Electromagnetic Society, Introduction . Waves - Catalogue. :12124--22132.

Catalogue Essay, Introduction

Medosch A.  2008.  Waves - the Art of Deconcealment. Spectropia: illuminating investigations in the electromagnetic spectrum. 7:170-189.
Medosch A, Mey K, Šmite R, Šmits R.  2011.  Energy. Acoustic Space. 8
Medosch A.  2010.  45 RPM.- 45 revoluçoes por minuto (historia da midia em alta velocidade). Mediações, Tecnologia e Espaço Público: Panorama Crítico da Arte em Mídias Móveis. :99-118. Abstract
Medosch A.  1989.  Dona - Dicke Japaner können platzen. Phantastische Bibliothek.
Medosch A.  2006.  Waves - an introduction. Waves - electromagnetic waves as material and medium of art. :14-23.
Medosch A.  2010.  45 Revolutionen per Minute. Was tun: Figuren des Protests : Taktiken des Widerstands : ein Reader des Faestivals Basics, Medien-Kunst-Gesellschaft. :12-27.
Medosch A.  2005.  Roots Culture: Free Software Vibrations "inna Babylon". How Open is the Future? Economic, Social & Cultural Scenarios inspired by Free and Open Source Software..
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Šmite R, Medosch A.  2008.  Spectropia: Acoustic Space No. 7. Acoustic Space. 7