Image |
Armin Medosch and Ina Zwerger |
Ina Zwerger |
|
Biblio |
Gramophone, film, typewriter |
Armin Medosch |
|
Image |
small-18 |
admin |
|
Image |
Two Fans of the 'Wireless' |
Armin Medosch |
|
Biblio |
The rise of the creative class : and how it's transforming work, leisure, community and everyday life |
admin |
|
Image |
node 07 |
admin |
|
Biblio |
The Hijacking of the Development Debate: How Friedman and Sachs Got It Wrong |
doll_yoko |
|
Image |
Office of Experiments Spomenik |
admin |
|
Biblio |
Acoustic communication |
Armin Medosch |
|
Image |
Quantum |
Lindsay |
|
Image |
The Pirate Google |
doll_yoko |
|
Image |
Franz Xaver |
Armin Medosch |
|
Biblio |
Of Other Spaces (1967), Heterotopias |
Lindsay |
|
Image |
Village of the Damned (movie still) |
Lindsay |
|
Research Journal Entry |
Interview mit Mouffe und Laclau |
Clemens Apprich |
|
Research Journal Entry |
From Grounded Theory to Saucy Tales |
Lindsay |
|
Biblio |
Networks and Sustainability |
Armin Medosch |
|
Biblio |
Interview: Formalist Cinema and Politics |
Armin Medosch |
|
Biblio |
High Art Lite: The rise and fall of young British art |
doll_yoko |
|
Biblio |
The Piano Teacher |
Lindsay |
|
Biblio |
Late capitalism |
Armin Medosch |
|
Research Journal Entry |
Demons in the Aether |
Lindsay |
|
Research Journal Entry |
Goodbye Privacy: Delighted by the Spectacle |
doll_yoko |
|
Biblio |
The structure of art, |
Armin Medosch |
|
Image |
West Harbour Road Lighthouse |
Lindsay |
|