Eleonore: a really existing non-utopian social sculpture


(notes, Artist in Residency, Day 2) Yesterday I arrived at the Eleonore in Linz. Already before leaving I had the first insight. I was packing and couldn't find any suitable string to tie together my Yoga map. So I took a Cat 5 ethernet cable because I thought I might need that as well. And then I thought what connects Linux with Yoga? That both can show up, sometimes painfully, the limitations of the human being, especially in my case.

Stress Test for Regulation Theory

On 8th and 9th of July 2010 I attended the conference "Regulationstheorie in der Krise" (Regulation theory in the era of crisis) jointly organised by the University of Vienna and the Renner Institute (political academy of the Austrian Social Democratic Party, SPOE). The title transports a double meaning, it refers to the crisis of regulation theory as well as to what has regulation theory to say about the current crisis? I do not claim to be an expert in economics and I am also a newbie to the regulation approach. However, I found this conference very interesting and thought provoking, so I try a summary in English.

Three frames from the life and death of Jean Charles de Menezes


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This article is a theoretical inquiry about the death of the Brazilian citizen Jean Charles de Menezes, shot in London at Stockwell tube station on 22 July 2005 by unknown specialist firearms’ officers. The previous day some stations of the Tube were struck by failed bombing attacks. The police were chasing four suspects. Some hours after the murder, de Menezes was discovered to be innocent and not involved in the terrorist act.

Section 8 of this article include a short addendum "False Positives".

Floating Structure: A Platform for Artistic Measurements and Research


This text is the preliminary outcome of a research project going back to 2003/2004 and developed jointly by Franz Xaver and Armin Medosch. It has a theoretical and artistic dimension as well as an activist one. At the point of its inception stood questions relating to the crisis of art in informational capitalism. The project sets out to bring some clarifications by word and deed about the relationships between art and technology, art and science and the role of the artist at the beginning of the 21st Century.

The Production of Creative Norms: The Integrative Process, Structural Forms and Culture

This text is a methodological outline linking categories of the Technopolitics research project with the PhD research project on "Moves in Media Art - Paradigm changes in art and technology". While mainly sketching out a work program for the coming months, the notion of "creative norms" is proposed here for the first time in an English text. It therefore would be nice to get some feedback on this.

Ten Postulates for Technopolitics


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The point of the technopolitics project is not so much to carry out an original historical analysis of industrial capitalism, but instead, to test and modify the existing theories and then use them for engaged cultural critique. That requires a lot of reading and evaluating of ideas. To get through the existing literature without getting lost along the way, we’ll periodically have to reformulate what we're talking about. Each reformulation will add something, subtract something, forget something; but the essence is to keep on working cooperatively. To that end I want to propose ten postulates. They revisit what has already been written in the programmatic text on technopolitics, but with a different emphasis, mainly in terms of geography, culture and the cumulative nature of historical sequences. They're not set in stone, just some departure points, and it may be that a magical eleventh postulate is needed. Here they are:

Vision in Networks (1)


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Whether it originates from statistical tabulation or remote sensors, whether it flows in real time or out of recombinant databases, whether it serves the needs of private individuals, globe-spanning corporations or government agencies, information visualization is the operative technology of the networked age, a language of vision for the control society. Infoviz proliferates on the screens of factory workstations, financial trading floors, military commands and surveillance watchspots, everywhere that decisive movements are subject to managerial scrutiny.

Post-Privacy or the Politics of Labour, Intelligence and Information

This text argues that the erosion of privacy is not a by-product of information and communication technologies, but a systemic property of informational capitalism. The foundational myths of the information society motivate and legitimise the building of control systems applying probabilistic techniques to control future risks. At the root of this configuration are antagonistic labour relationships which have determined the path of technological development since the Industrial Revolution. Those tendencies have reached a culmination in the recent neo-liberal crisis. The digital commons offers itself as an incomplete and tentative remedy.


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