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How We Became Post-Modern

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Notes on Das Altern der Moderne1124 by Peter Bürger. Peter Bürger, Professor emeritus for literature and aesthtic theory, author of the Theory of the Avant-Garde1123, a seminal text in art theory of the 20th century, in this collection of articles written between 1983 and 2000, re-examines some of the main concepts already at the heart of his earlier work, such as the difference between Modernism and the avant-garde, the historic avant-garde's often repeated ambition of bringing art and life together, and what constitutes the failure as well as the success of those movements. While the hopes of the historic avant-garde of permanent transformations of the social world were not rewarded, avant-garde ideas, slogans, strategies and aesthetic methodologies of the Futurists, dadaists and Surrealists have found a permanent place in the cultural 'history' by having entered the endless recycling relationships of contemporary culture via popular culture. Slightly different the case, then with Modernism, because it never had, or purpoted not to have, such a strong social agenda, yet here the name of the art movement is identical with the name of an age: modernity. In this respect, Bürger asks the fascinating question about the aging of modernity and how we became postmodern (or not).

Notes on Bauhaus: Community of Creative Workers

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In this text a collection of notes on the book Bauhaus (1999), by Jeannine Fiedler and Peter Feierabend (editors) and in particular the introduction Bauhaus - geschichtlich by Andreas Haus, is used as a starting point for further reasonings about the ideas and motivations of the historic avant-garde in general and Bauhaus in particular, and why that matters for contemporary practices. Key issues are the development of arts and arts and crafts within an increasingly industrial economy, art/-isanal working methodologies and relationships with science and new technologies, and the notion of the artistic or artisianal community as a driver of social change.

A Gathering of Artistic Research: From New Science to Nameless Science

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Art and Research
Volume 2. No. 2. Spring 2009

Editorial:

This issue of Art & Research represents a ‘gathering’ of issues and experiences in artistic research as manifest in papers and artworks presented on the ‘occasion’ of significant international conferences and symposia dedicated to artistic research held between May and December 2008:

Thenextlayer at Getting Published Tuesday 28th April

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Getting Published Tuesday 28th April

This panel discussion will bring together a range of speakers who will
highlight different routes into getting published within and external to
academia. It will be followed by a discussion around the benefits and
challenges inherent in these routes in particular in relation to new
possibilities afforded by new media/ web 2.0.

Chaired by Kenneth Armstrong, Professor of Law, Queen Mary, University of
London. Speakers include:

Disorderly Conduct: some initial reflections on file-sharing

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The phenomenon of "peer to peer", or "P2P" file-sharing over the internet is a transglobal expression of techno-social relations. We could say the same about other popular domesticised forms of internet usage, such as email, searches, blogging and photo sharing. However, P2P is different, like the 'special' child who doesn't really fit in with the rest of the family.

Handshakes amongst strangers: P2P and the production of disorder within informational capitalism

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This is an attached slide-show (with notes)* from my presentation at The Second IT & Disorder Workshop held at the University of Technology, Sydney, on 26 March 2009. I need to work this up into a paper for publication in a uni e-journal very very soon! But I seem to be more devoted to d/l'ing endless stuff 'for research' from my favourite sites.... Anyway this presentation went well, and I felt i had redeemed myself after 2 really embarrassing presentations late last year.

The messy Hydra: developments in transglobal Peer-to-Peer culture

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Once a minor practice in places of privilege in the global North, internet-enabled file-sharing via peer-to-peer (P2P) systems has evolved into a vast, transglobal activity. Engaging millions of participants, P2P is decentralised, deeply networked, grass roots-driven, polycultural phenomenon growing exponentially. It appears uncontainable, as each wave of technological, legal and commercial measures designed to halt or divert it fail. Moreover, pressure exerted 'from above' by governments and multinational industry alliances becomes a productive force within geographically dispersed, globalised P2P networks and communities. Technical and social innovations are generated 'from below' in order to protect and expand “cultures of sharing,” or “piracy.” Paradoxically, these innovations become mainstreamed as they force corporations to adopt new business models in response to 'market' desires.

Art and Research

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Art and Research is an online journal for ideas, contexts and methods. It provides a resource of downloadable finished papers, interviews and conference notes that are considered important and current to the discourse that surrounds artistic research. The journal is international and peer-reviewed with an editorial board, one of the main editors being Ross Birrell an artist researcher and staff member at Glasgow School of Art. As well as being an interesting artist, Ross is also an interesting writer and his editorial paper Jacques Ranciere and The (Re) Distribution of the Sensible provides ‘Five Lessons in Artistic Research’ that condenses and links ideas such Rancier’s notion of the ‘distribution of territories’, a commentary on the value of certain disciplines over others, to Mika Hannula (and others) notion of the ‘democracy of experience’ which is ‘the precondition of a non-hierarchical research environment’.

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