This text is the preliminary outcome of a research project going back to 2003/2004 and developed jointly by Franz Xaver and Armin Medosch. It has a theoretical and artistic dimension as well as an activist one. At the point of its inception stood questions relating to the crisis of art in informational capitalism. The project sets out to bring some clarifications by word and deed about the relationships between art and technology, art and science and the role of the artist at the beginning of the 21st Century.
This panel discussion will bring together a range of speakers who will
highlight different routes into getting published within and external to
academia. It will be followed by a discussion around the benefits and
challenges inherent in these routes in particular in relation to new
possibilities afforded by new media/ web 2.0.
Chaired by Kenneth Armstrong, Professor of Law, Queen Mary, University of
London. Speakers include:
Art and Research is an online journal for ideas, contexts and methods. It provides a resource of downloadable finished papers, interviews and conference notes that are considered important and current to the discourse that surrounds artistic research. The journal is international and peer-reviewed with an editorial board, one of the main editors being Ross Birrell an artist researcher and staff member at Glasgow School of Art. As well as being an interesting artist, Ross is also an interesting writer and his editorial paper Jacques Ranciere and The (Re) Distribution of the Sensible provides ‘Five Lessons in Artistic Research’ that condenses and links ideas such Rancier’s notion of the ‘distribution of territories’, a commentary on the value of certain disciplines over others, to Mika Hannula (and others) notion of the ‘democracy of experience’ which is ‘the precondition of a non-hierarchical research environment’.
Culture Lab Newcastle University, and CRUMB University of Sunderland present the first 2 day symposium in a 2 year series, in an AHRC funded Collaborative Research Training project on research training, digital media art and curating. This event is quite short notice, but maybe posting it here nevertheless raises interest in future events of this kind.
In the past few months TNL has gone through significant changes. Although many of those are not visible on the surface straight away, they constitute great improvements of the site. Key changes have been made especially in regard to this forum topic about books and bibliographic references.
The exhibition "Waves" is part of a long term research project into analogue and electromagnetic waves. "Waves" uses the process of making an exhibition as a form of practice based research. This research journal entry starts with a new abstract regarding Waves related research, and then introduces the two exhibitions in Riga 2006 and Dortmund 2008. This should be shortly followed by a new summary of the research project. There is also a new waves image gallery and these efforts are all combined by the fact that they use the second Waves exhibition for taking stock of what came from this research so far.
The experimental workshop day taxi-to-praxi at Goldsmiths started off with a positive vibe as about 35 people met in the seminar room underneath the 'squiggle' whereby this group consisted of about one third of people from Goldmiths, one third from other universities and one third of unaligned individuals working as artists or curators. After Prof Janis Jeffries, convenor of the PhD in Arts and Computation opened the session, a lively and stimulating day unfolded. In this account I try to piece together from notes and memories what were some of the main issues which emerged.