This final piece in the Eleonore series sums up some more theoretic and political thoughts about the relationships between digital art, autonomy and the division of labour. It comes to the conclusion that the least digital artists can do is to use free software, strive for egalitarian types of working relationships and to name all their collaborators as co-creators of work, regardless of the usual social valuations of types of work and the institutional pressure they come under if their work joins the art circuit.
In my last article, I described Eleonore as a conceptual art work, a non-utopian 'social sculpture'. It carries a proposal for the role of artists in society, working out alternative routes for social-artistic-technological development. It does so without the universalistic-totalitarian notions inscribed into previous avant-garde projects. Yet still, it contains 'future' - therefore its' characterisation as non-utopian. It is real and realistic: small, cheap, livable and as far as possible, environmentally friendly. After spending one week here, I try to summarise my insights.
(notes, Artist in Residency, Day 2) Yesterday I arrived at the Eleonore in Linz. Already before leaving I had the first insight. I was packing and couldn't find any suitable string to tie together my Yoga map. So I took a Cat 5 ethernet cable because I thought I might need that as well. And then I thought what connects Linux with Yoga? That both can show up, sometimes painfully, the limitations of the human being, especially in my case.
On 8th and 9th of July 2010 I attended the conference "Regulationstheorie in der Krise" (Regulation theory in the era of crisis) jointly organised by the University of Vienna and the Renner Institute (political academy of the Austrian Social Democratic Party, SPOE). The title transports a double meaning, it refers to the crisis of regulation theory as well as to what has regulation theory to say about the current crisis? I do not claim to be an expert in economics and I am also a newbie to the regulation approach. However, I found this conference very interesting and thought provoking, so I try a summary in English.
Das vierteilige Radiokolleg -"Kommunikation statt Kommando? Arbeitsbilder im Postfordismus" beschäftigte sich mit den seit einigen Jahrzehnten vor sich gehenden Umbrüchen in der Arbeitswelt seit der Krise und dem Ende des Fordismus. Freundlicherweise und ausnahmsweise hat der ORF die Links zu den Sendungen bereitgestellt.
This text is the preliminary outcome of a research project going back to 2003/2004 and developed jointly by Franz Xaver and Armin Medosch. It has a theoretical and artistic dimension as well as an activist one. At the point of its inception stood questions relating to the crisis of art in informational capitalism. The project sets out to bring some clarifications by word and deed about the relationships between art and technology, art and science and the role of the artist at the beginning of the 21st Century.
This text is a methodological outline linking categories of the Technopolitics research project with the PhD research project on "Moves in Media Art - Paradigm changes in art and technology". While mainly sketching out a work program for the coming months, the notion of "creative norms" is proposed here for the first time in an English text. It therefore would be nice to get some feedback on this.
This text argues that the erosion of privacy is not a by-product of information and communication technologies, but a systemic property of informational capitalism. The foundational myths of the information society motivate and legitimise the building of control systems applying probabilistic techniques to control future risks. At the root of this configuration are antagonistic labour relationships which have determined the path of technological development since the Industrial Revolution. Those tendencies have reached a culmination in the recent neo-liberal crisis. The digital commons offers itself as an incomplete and tentative remedy.
This text is a first draft, trying to identify key topics for an inquiry into the new organisation of labour. It starts with a historic analysis and then explores the notion of Post-Fordism.Specific sections are devoted to cognitive capitalism, the creative industries, informational capitalism and the split between manual and mental labour. It ends with a modest proposal for an alternative path of development.