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The philosophy of art.
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Gentile, Giovanni
,
Gullace, Giovanni
. 1972.
The philosophy of art.
.
Art after modernism : rethinking representation
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Wallis, Brian
. 1984.
Art after modernism : rethinking representation
.
The ideas of progress and their impact on art
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Gombrich EH
. 1971.
The ideas of progress and their impact on art
.
The politics of modernism : against the new conformists
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Williams R
,
Pinkney T
. 1989.
The politics of modernism : against the new conformists
.
The origin of the work of art
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Heidegger M
. 1963.
The origin of the work of art
.
Neoism, plagiarism & praxis
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Home, Stewart
. 1995.
Neoism, plagiarism & praxis
.
Das Jahrhundert der Avantgarden
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Klinger C
,
Müller-Funk W
,
Konferenz zum Thema "Das Jahrhundert der Avantgarden"
. 2004.
Das Jahrhundert der Avantgarden
.
Grids : format and image in 20th century art : essay
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Krauss RE
,
Pace Gallery.
,
Akron Art Institute.
. 1978.
Grids : format and image in 20th century art : essay
.
The optical unconscious
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Krauss RE
. 1993.
The optical unconscious
.
Line as language: six artists draw
Submitted by
Armin Medosch
on Fri, 04/24/2009 - 11:06
in
Research
art
Krauss RE
,
Princeton University. Art Museum.
. 1974.
Line as language: six artists draw
.
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