Biblio

Found 416 results

J
Jessop B.  2002.  The future of the capitalist state.
Johnsen A, Christensen R, Moltke H.  2007.  Good Copy Bad Copy. :59minutes.

"a documentary about the current state of copyright and culture"

Johnston JE, Laxer G.  2003.  Solidarity in the age of globalization: Lessons from the anti-MAI and Zapatista struggles. Theory and Society. 32:39-91.
Jones R, Schanck J.  2008.  Anomos: Applied Cryptography and Human Rights. 25th Chaos Communication Congress .

see also video of talk at http://www.thenewfreedom.net/wp/2009/01/05/anomos-25c3/http://events.ccc... 27-30 2008

Joseph BW, Ricciardi A.  2005.  Interview with Paolo Virno. Grey Room. :26-37.

article for free here: http://mitpress.mit.edu/journals/pdf/GR21_026-037_Joseph.pdf

Joseph BW, Walley J, Eamon C.  2005.  Anthony McCall : the solid light films and related works.
Juris JS.  2008.  The New Digital Media and Activist Networking within Anti–Corporate Globalization Movements. The Anthropology of Globalization: A Reader. :352-370.
K
Kahn D.  1996.  The Lyre's Island: Some Australian Music, Sound Art and Design. Leonardo Music Journal. 6:89--93.
Kahn D, Whitehead G.  1992.  Wireless imagination : sound, radio, and the avant-garde.
Kahn D.  1997.  John Cage: Silence and Silencing. The Musical Quarterly. 81:556--598.
Kahn D.  1996.  Three Receivers. TDR (1988-). 40:80--87.
Kahn, Douglas.  1985.  John Heartfield : art and mass media.
Keating J.  2008.  Pirate Politics. Foreign Policy. :104-104. Abstract
Kelty CM.  2008.  Two bits: the cultural significance of free software. Abstract
King J.  2005.  Don't Copy that Floppy!': The Propaganda of Digital Protectionism. 2005

research/IP

Kittler FA.  1999.  Gramophone, film, typewriter.
Klang M.  2005.  Free software and open source: The freedom debate and its consequences. First Monday. 10
Klinger C, Müller-Funk W, Konferenz zum Thema "Das Jahrhundert der Avantgarden".  2004.  Das Jahrhundert der Avantgarden.
Kobe Fasshon Bijutsukan..  2000.  Bit generation 2000 : TV-games..
Krapp P.  2005.  Terror and Play, or What Was Hacktivism? Grey Room. :70-93.
Krauss RE.  1993.  The optical unconscious.
Krauss RE.  1985.  The originality of the avant-garde and other modernist myths.
Krauss RE, Princeton University. Art Museum..  1974.  Line as language: six artists draw.
Krauss RE.  1977.  Passages in modern sculpture.
Krauss RE, Pace Gallery., Akron Art Institute..  1978.  Grids : format and image in 20th century art : essay.