Biblio
Found 416 results
“Grazing The Digital Commons: Artist-Made Social Softwares, Politicised Technologies And The Creation Of New Generative Realms.”. Faculty Of Humanities And Social Sciences. Faculty Of Humanities And Social Sciences. University of Technology, Sydney, 2005.
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“How To Make A Million Out Of Slavery”. The Slavery Business. The Slavery Business. England: Diverse/BBC, 2005.
. “Interview With Paolo Virno”. Grey Room. Grey Room (2005): 26-37. http://www.mitpressjournals.org/doi/abs/10.1162/152638105774539752.
. My Mother Was A Computer : Digital Subjects And Literary Texts. {University Of Chicago Press}, 2005. http://www.amazon.ca/exec/obidos/redirect?tag=citeulike09-20\&path=ASIN/0226321479.
. Open Systems : Rethinking Art C.1970. London: Tate, 2005.
. “Piracy”. In Word Matters: Multicultural Perspectives On Information Societies. Word Matters: Multicultural Perspectives On Information Societies. C & F Éditions, 2005. http://vecam.org/article694.html.
. “Pirates, Priests And Property”. World-Information City, 2005. http://world-information.org/wio/readme/992003309.
. The Postmodern Condition: A Report On Knowledge. 11thth ed. Kings Lynn: Manchester University Press, 2005.
. The Printing Revolution In Early Modern Europe. {Cambridge University Press}, 2005. http://www.amazon.ca/exec/obidos/redirect?tag=citeulike09-20\&path=ASIN/0521607744.
. “Roots Culture: Free Software Vibrations "inna Babylon"”. In How Open Is The Future? Economic, Social & Cultural Scenarios Inspired By Free And Open Source Software.. How Open Is The Future? Economic, Social & Cultural Scenarios Inspired By Free And Open Source Software. Brussels: VUB Brussels University Press, 2005.
. “On Software, Or The Persistence Of Visual Knowledge”. Grey Room. Grey Room (2005): 26-51. http://www.mitpressjournals.org/doi/abs/10.1162/1526381043320741.
. “Sugar Dynasty”. The Slavery Business. The Slavery Business. England: Diverse/BBC, 2005.
. “Technological Determinism In Media Art”. Ravensbourne College / Sussex University, 2005.
. “Terror And Play, Or What Was Hacktivism?”. Grey Room. Grey Room (2005): 70-93. http://www.mitpressjournals.org/doi/abs/10.1162/152638105774539770.
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“Trajni Cas Umetnosti Novosadska Neoavangarda 60-Tih I 70-Tih Godina Xx Veka ; [U Okviru Izlozbe "trajni Cas Umetnosti", Odrzane U Novom Sadu, Od. 18.11. Do 3.12.2005, Godine, U Izlozbenom Prostoru Muzeja Savremene Likovne Umetnosti Novi Sad] = The @contin”. In. Frankfurt am Main: Revolver, Archiv für Aktuelle Kunst, 2005.
. “Between Rhizomes And Trees: P2P Information Systems”. First Monday 9. First Monday (2004). http://firstmonday.org/htbin/cgiwrap/bin/ojs/index.php/fm/article/view/1182/1102.
. Caliban And The Witch: Women, The Body And Primitive Accumulation. New York: Autonomedia, 2004.
. “Cannibal Hookers From Beyond The Grave Meet The Art Crazies At Zombie Island (Aka Ralph Rumney's Victory In Venice Revisited)”. In Art, Money, Parties: New Insitutions In The Political Economy Of Contemporary Art, 55-74. Art, Money, Parties: New Insitutions In The Political Economy Of Contemporary Art. Liverpool: Liverpool University Press, 2004.
. “Cons In The Panopticon: Anti–Globalization And Cyber–Piracy”. First Monday [Online] 9. First Monday [Online] (2004). http://firstmonday.org/htbin/cgiwrap/bin/ojs/index.php/fm/article/view/1174/1094.
. “Copyright/copyleft: Myths About Copyright”. Infochange. Infochange. Pune, India: Centre for Communication and Development Studies , 2004. http://infochangeindia.org/200405096065/Trade-Development/Intellectual-Property-Rights/Copyright/copyleft-Myths-about-copyright.html.
. Das Jahrhundert Der Avantgarden. München: Fink, 2004.
. Economising Culture : On 'the (Digital) Culture Industry'. New York: Autonomedia, 2004.
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