The Next Layer - practice-based research

WAAR Poster

Lindsay — Sat, 18 Apr 2009 08:30:07 +0000

no copyright

Creative Digital Media Research Practice: Production Through Exhibition

admin — Mon, 16 Mar 2009 09:14:25 +0000

Culture Lab Newcastle University, and CRUMB University of Sunderland present the first 2 day symposium in a 2 year series, in an AHRC funded Collaborative Research Training project on research training, digital media art and curating. This event is quite short notice, but maybe posting it here nevertheless raises interest in future events of this kind.

The Criminal in the Academy: best essay title on practice-based

Armin Medosch — Tue, 22 Jul 2008 07:52:10 +0000

As I am wrangling with my frakking thesis development, I found this PDF
Position Papers on Practice-Based Research:

http://www.ncad.ie/research/downloads/position_papers_on_practice.pdf

There The Criminal in the Academy:Practice Based Research as a Form of Theft. deserves title of the year award.

Taxi-to-Praxi notes: summarizing the morning session

jonasandersson — Wed, 23 Apr 2008 11:55:56 +0000

Armin Medosch: Collecting good points of practice

- Facilitating shared, open and free platforms
- How much work and/or investments are required?
- What drives people to participate?
- Drupal: every item of information a node

Jaromil: Proposal for ‘solid knowledge’

- Co-operation among people active in education
- Try to compile an ontology of possible knowledge paths
- What makes knowledge solid? 4 points for educational institutions;

inventing methodologies

inventing methodologies — Mon, 07 Apr 2008 13:39:40 +0000

Inventing Methodologies is a series of conferences designed to provide a platform for the discussion of the novel and highly-contested notion of practice-based research in art practice.

Practice-based researchers are faced with a dual challenge. The first is the intrinsically bifurcated nature of a research project composed of a written element in conjunction with a practical element. The second is the interdisciplinarity inherent in writing art. These structural complexities are also an enduring characteristic of the practice/theory relationship.