The Next Layer - avant-garde

Theory of the avant-garde

Armin Medosch — Fri, 22 May 2009 08:23:44 +0000

Bürger, Peter. 1984. Theory of the avant-garde.

Das Altern der Moderne : Schriften zur bildenden Kunst

Armin Medosch — Fri, 22 May 2009 08:23:44 +0000

Bürger P. 2001. Das Altern der Moderne : Schriften zur bildenden Kunst.

How We Became Post-Modern

Armin Medosch — Fri, 22 May 2009 08:05:15 +0000

Notes on Das Altern der Moderne1 by Peter Bürger. Peter Bürger, Professor emeritus for literature and aesthtic theory, author of the Theory of the Avant-Garde2, a seminal text in art theory of the 20th century, in this collection of articles written between 1983 and 2000, re-examines some of the main concepts already at the heart of his earlier work, such as the difference between Modernism and the avant-garde, the historic avant-garde's often repeated ambition of bringing art and life together, and what constitutes the failure as well as the success of those movements. While the hopes of the historic avant-garde of permanent transformations of the social world were not rewarded, avant-garde ideas, slogans, strategies and aesthetic methodologies of the Futurists, dadaists and Surrealists have found a permanent place in the cultural 'history' by having entered the endless recycling relationships of contemporary culture via popular culture. Slightly different the case, then with Modernism, because it never had, or purpoted not to have, such a strong social agenda, yet here the name of the art movement is identical with the name of an age: modernity. In this respect, Bürger asks the fascinating question about the aging of modernity and how we became postmodern (or not).

1. Bürger P.
2001. Das Altern der Moderne : Schriften zur bildenden Kunst.
2. Bürger, Peter.
1984. Theory of the avant-garde.

Notes on Bauhaus: Community of Creative Workers

Armin Medosch — Thu, 14 May 2009 09:49:25 +0000

In this text a collection of notes on the book Bauhaus (1999), by Jeannine Fiedler and Peter Feierabend (editors) and in particular the introduction Bauhaus - geschichtlich by Andreas Haus, is used as a starting point for further reasonings about the ideas and motivations of the historic avant-garde in general and Bauhaus in particular, and why that matters for contemporary practices. Key issues are the development of arts and arts and crafts within an increasingly industrial economy, art/-isanal working methodologies and relationships with science and new technologies, and the notion of the artistic or artisianal community as a driver of social change.

Wireless imagination : sound, radio, and the avant-garde

Armin Medosch — Fri, 24 Apr 2009 09:22:04 +0000

Kahn D, Whitehead G. 1992. Wireless imagination : sound, radio, and the avant-garde.